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Composition and Theory

Pitt Graduate Composers Featured in NAT 28 Concert

Pittsburgh contemporary music ensemble NAT 28 will perform its third annual Pittsburgh Composers Project on February 9th and this year’s event features the music of three current Pitt grad students. Selected through NAT 28’s call for scores, the program will include Devon Osamu Tipp’s Blood on the Pavement 1984, Xinyang Wang’s San-Guei, and Cullyn D. Murphy’s Come to/Hypnic Jerk. The three Pitt graduate students’ compositions will be presented along with CMU composer Leonardo Ballada’s Caprichos No.

Belcher and Tipp Appointed Physics and Astronomy Artists in Residence

The Department of Physics and Astronomy has announced that Composition and Theory doctoral candidates Jason Belcher and Devon Tipp have been selected as 2018-19 Artists in Residence. Each composer will work with a faculty member from the Department of Physics and Astronomy to shape an interdisciplinary composition to be performed at an afternoon concert on April 12 at Frick Fine Arts Auditorium.

Conference Schedule

Music & Erotics

 University of Pittsburgh

22-23 February 2019

 

Friday, 22 February 2019

(Frick Fine Arts Auditorium)

            1:00 - 1:15 — Welcome, Opening Remarks

            1:15 - 2:45 — Historicizing/Glocalizing Music and Erotics —

                                    Chair: Andrew Weintraub

Music Monday: December 3

 

The next Music Monday concert features music by William Shield, Burr Van Nostrand, David Leisner, Claude Debussy, Catherine McMichael, Ludwig van Beethoven, and songs by our own undergrads, Connor Lindsay, Benjamin Volk, Emma Lebo, Max Snyder, Jordan Bender, Peter Hu, and Dan Rothman

Performed by

Emma-Leigh Jones, Amal Saeed, Yuto Iwaizumi, & Roger Zahab*, violins

James Ferla, guitar*

Avery Bazell, Lily Carley, Gillian Reed, Alyssa Zamloot, flutes

Shumeng Yang, piano

Harrison Wayne, singer

Connor Lindsay, guitar