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Faculty Eric Moe
Professor of Music 209 Music Building FieldsComposer of "music of winning exuberance" ( New York Times ). Pianist. TeachingComposition and Analysis Tutorial, Music Theory, Introduction to Analysis, Composition Seminar, Electronic Music. Selected Honors and AwardsLakond Award, American Academy of Arts and Letters. Guggenheim Fellowship. Wellesley Composer's Conference Fellowship. Pennsylvania Council on the Arts Fellowship. Residencies at the MacDowell Colony, Yaddo, Bellagio, Virginia Center for the Creative Arts, the Millay Colony, the Ragdale Foundation, the Montana Artists Refuge, and the American Dance Festival. Selected CommisionsPittsburgh Symphony Orchestra Fromm Foundation (2) Koussevitzky Foundation Meet-the Composer Commissioning/USA Selected RecordingsSonnets to Orpheus and Siren Songs (Koch International Classics CD, 2001) Kicking and Screaming (Albany Records, 2003) Up & At 'Em (Albany Records, 2002) On the Tip of My Tongue: Chamber and Electroacoustic Music of Eric Moe (Centaur 1997) For a complete discography, see http://www.ericmoe.net. Selected Recordings as a piano soloistNew American Waltzes, waltzes for piano by two generations of American composers (Albany Records, 2004). Other recordings on Koch, CRI (New World), Mode, and AK/Coburg labels, performing the music of John Cage, Roger Zahab, Marc-Antonio Consoli, Mathew Rosenblum, and Felix Draeseke. Selected Recent CompositionsTri-Stan (2003) sit-trag for mezzo-soprano and ten players. Strange Exclaiming Music (2004) for violin and piano Hey Mr. Drummachine Man (2004) for piano and boombox. Teeth of the Sea (2003) for percussion solo (2 conga drums, or conga and tumba). Preamble & Dreamsong from the 4-5 a.m. REM Stage (2003) for alto flute and piano. Fierce Lament (2002) for chamber orchestra. down the stream, merrily (2002) for two marimbas. Pulaski Skyway Waltz (2002) for solo piano Eight Point Turn (2001) for fl, ob, cln, bsn, vla, cb, perc, pno. Commissioned by the Philadelphia Music Project and the NEA for Rel'che. Three Ways to Relieve Tension (2001) for solo piano. Dead Elf Tugboat (2000) for flute and keyboard sampler. Repeat Offender (2000) for fl, cln, alto sax, vln, vlc, perc, pno No Time Like the Present (1996) commissioned by the Pittsburgh Symphony. Complete list of compositions and first performances ActivitiesCodirector, Music on the Edge new music concert series, University of Pittsburgh. Director, University of Pittsburgh Electroacoustic Music Studio Founding member, EARPLAY, San Francisco. Board of trustees, Robert Miller Fund and Composers Conference Advisory board, Princeton University Music Department |
Faculty Links
More Faculty LinksStaffDorothy Shallenberger Rose Booth Joan McDonald Assistant to Jazz Director Phil Thompson Jason Squinobal |
(Composition)