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	<title>Pitt Department Of Music Blog</title>
	<link>http://www.music.pitt.edu/blog</link>
	<description>The official Blog of the University of Pittsburgh Department of Music</description>
	<pubDate>Mon, 23 Nov 2009 16:31:18 +0000</pubDate>
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		<title>Thursday Noon Recital, November 19</title>
		<link>http://www.music.pitt.edu/blog/?p=699</link>
		<comments>http://www.music.pitt.edu/blog/?p=699#comments</comments>
		<pubDate>Thu, 19 Nov 2009 14:46:55 +0000</pubDate>
		<dc:creator>Phil Thompson</dc:creator>
		
		<category><![CDATA[Recitals]]></category>

		<category><![CDATA[Students]]></category>

		<guid isPermaLink="false">http://www.music.pitt.edu/blog/?p=699</guid>
		<description><![CDATA[132 Music Building, free
Rhapsody in Blue, George Gershwin
Nick Stamatakis, piano
Naomi Latorraca, piano
Tango, op. 165, no. 2, Isaac Albéniz
Shana Fowler, trumpet
Wes Ward, piano
Sonata in c minor (1824), Felix Mendelssohn Bartholdy
Adagio-Allegro
Wei Zhao, viola
Andrew Head, piano
German Songs, Louis Spohr
1. Sei Still Mein Herz (Be Still, My Heart)
2. Sehnsucht (Longing)
3. Das Heimliche Lied (The Secret Song)
4. Wach Auf (Awakening)
Sarah [...]]]></description>
			<content:encoded><![CDATA[<p>132 <a href="http://www.tour.pitt.edu/tour-095.html">Music Building</a>, free<br />
<em>Rhapsody in Blue</em>, George Gershwin</p>
<blockquote><p>Nick Stamatakis, piano<br />
Naomi Latorraca, piano</p></blockquote>
<p>Tango, op. 165, no. 2, Isaac Albéniz</p>
<blockquote><p>Shana Fowler, trumpet<br />
Wes Ward, piano</p></blockquote>
<p>Sonata in c minor (1824), Felix Mendelssohn Bartholdy<br />
Adagio-Allegro</p>
<blockquote><p>Wei Zhao, viola<br />
Andrew Head, piano</p></blockquote>
<p>German Songs, Louis Spohr<br />
1. Sei Still Mein Herz (Be Still, My Heart)<br />
2. Sehnsucht (Longing)<br />
3. Das Heimliche Lied (The Secret Song)<br />
4. Wach Auf (Awakening)</p>
<blockquote><p>Sarah Phillips, soprano<br />
Paul Shepard, clarinet<br />
Nicholas Emmanuel, piano</p></blockquote>
<p><em>Salut d&#8217;Amour</em>, Edward Elgar</p>
<blockquote><p>Danielle Rager, violin<br />
Roger Zahab, piano</p></blockquote>
<p>Tango, Isaac Albéniz</p>
<blockquote><p>Emily Wheeler, piano</p></blockquote>
<p><em>Military March</em>, op. 51, no. 1, Franz Schubert</p>
<blockquote><p>Kayla Wands &amp; Kevin Hrebinko, piano, four-hands</p></blockquote>
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		<title>Roger Zahab and Alicia Bekeny in Recital at Heinz Chapel November 22</title>
		<link>http://www.music.pitt.edu/blog/?p=698</link>
		<comments>http://www.music.pitt.edu/blog/?p=698#comments</comments>
		<pubDate>Wed, 18 Nov 2009 16:12:51 +0000</pubDate>
		<dc:creator>Phil Thompson</dc:creator>
		
		<category><![CDATA[Faculty]]></category>

		<category><![CDATA[Recitals]]></category>

		<category><![CDATA[Students]]></category>

		<guid isPermaLink="false">http://www.music.pitt.edu/blog/?p=698</guid>
		<description><![CDATA[Sunday, November 22, 2009
Heinz Memorial Chapel, 3 p.m.
Admission: $5 at the door
Legends, Songs and Dances
a concert in support of the Heinz Chapel Building Fund
Roger Zahab, violin
with Alicia Bekeny, violin
The music
J.S.Bach : Partita in d minor (BWV 1004, ca. 1720)
Béla Bartók : Sonata for Solo Violin (1944)
with short works by
Judith Weir: Rain and mist are on [...]]]></description>
			<content:encoded><![CDATA[<p>Sunday, November 22, 2009<br />
Heinz Memorial Chapel, 3 p.m.<br />
Admission: $5 at the door</p>
<p><strong><em>Legends, Songs and Dances</em></strong><br />
a concert in support of the Heinz Chapel Building Fund</p>
<p>Roger Zahab, violin<br />
with Alicia Bekeny, violin</p>
<p>The music<br />
J.S.Bach : Partita in d minor (BWV 1004, ca. 1720)<br />
Béla Bartók : Sonata for Solo Violin (1944)</p>
<p>with short works by<br />
Judith Weir: <em>Rain and mist are on the mountain</em>, <em>I&#8217;d better buy some shoes</em><br />
and<br />
Roger Zahab : <em>Battery Park</em>, <em>New York Harbor</em>, <em>The Fens</em>, &amp;<em> commonwealth</em></p>
]]></content:encoded>
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		<title>Thursday Noon Recital, November 5</title>
		<link>http://www.music.pitt.edu/blog/?p=693</link>
		<comments>http://www.music.pitt.edu/blog/?p=693#comments</comments>
		<pubDate>Wed, 04 Nov 2009 16:59:32 +0000</pubDate>
		<dc:creator>Phil Thompson</dc:creator>
		
		<category><![CDATA[Recitals]]></category>

		<guid isPermaLink="false">http://www.music.pitt.edu/blog/?p=693</guid>
		<description><![CDATA[132 Music Building 
The Program
Sonata II in a minor, BWV1003 J.S.Bach, Grave-Fuga
Joshua Greenberger, violin
Sonata op. 10, no.1 Ludwig van Beethoven, Finale: Prestissimo
Impromptu, op. 142, no. 2, Franz Schubert
Qui-dong Chen, piano
Simplicity, Dexter Gulick
Dexter Gulick, piano
Shades of Gray, Mark Penn
Mark Penn, piano
Fantasy in C minor, W.A. Mozart
Kaitlin Mitchell, piano
]]></description>
			<content:encoded><![CDATA[<p>132 <a href="http://www.tour.pitt.edu/tour-095.html">Music Building </a></p>
<p align="left"><strong>The Program</strong></p>
<p align="left">Sonata II in a minor, BWV1003 J.S.Bach, Grave-Fuga<br />
Joshua Greenberger, violin</p>
<p align="left">Sonata op. 10, no.1 Ludwig van Beethoven, Finale: Prestissimo<br />
<em>Impromptu</em>, op. 142, no. 2, Franz Schubert<br />
Qui-dong Chen, piano</p>
<p align="left"><em>Simplicity</em>, Dexter Gulick<br />
Dexter Gulick, piano</p>
<p align="left"><em>Shades of Gray</em>, Mark Penn<br />
Mark Penn, piano</p>
<p align="left">Fantasy in C minor, W.A. Mozart<br />
Kaitlin Mitchell, piano</p>
]]></content:encoded>
			<wfw:commentRss>http://www.music.pitt.edu/blog/?feed=rss2&amp;p=693</wfw:commentRss>
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		<item>
		<title>Akin Euba and Pitt Alumni at UCLA&#8217;s Africa Meets North America Conference</title>
		<link>http://www.music.pitt.edu/blog/?p=690</link>
		<comments>http://www.music.pitt.edu/blog/?p=690#comments</comments>
		<pubDate>Wed, 21 Oct 2009 16:25:28 +0000</pubDate>
		<dc:creator>Phil Thompson</dc:creator>
		
		<category><![CDATA[Alumni]]></category>

		<category><![CDATA[Ethnomusicology]]></category>

		<category><![CDATA[Faculty]]></category>

		<guid isPermaLink="false">http://www.music.pitt.edu/blog/?p=690</guid>
		<description><![CDATA[ 	 	
 	 	
Andrew W. Mellon Professor of Music Akin Euba and Music Department alumni, including George Dor (PhD 2001), Anicet Mundundu (2005), Sister Marie Agatha Ozah (PhD 2008), and Jason Squinobal (PhD 2008), will participate in UCLA&#8217;s Africa Meets North America Conference (AMNA) taking place October 22-25. Professor Euba will make remarks at [...]]]></description>
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<p>Andrew W. Mellon Professor of Music <a href="http://www.music.pitt.edu/faculty/euba.html" target="_blank">Akin Euba</a> and Music Department alumni, including <a href="http://www.olemiss.edu/depts/music/faculty_and_staff/dor.html">George Dor</a> (PhD 2001), Anicet Mundundu (2005), <a href="http://www.sites.duq.edu/music/bios/ozah.cfm" target="_blank">Sister Marie Agatha Ozah</a> (PhD 2008), and <a href="http://www.myspace.com/jasonsquinobal" target="_blank">Jason Squinobal</a> (PhD 2008), will participate in UCLA&#8217;s <a href="http://www.amna.ethnomusic.ucla.edu/" target="_blank">Africa Meets North America Conference</a> (AMNA) taking place October 22-25. Professor Euba will make remarks at several sessions and his opera <em>Chaka</em> will be discussed during a scholarly session. Sister Marie Agatha Ozah will chair a scholarly session on Music Performance and Technology in University and Studio Environments and give a paper titled &#8220;Understanding the Pre-Compositional Resources in Joshua Uzoigwe&#8217;s Egwu Amala.&#8217;&#8221; George Dor will give a paper titled &#8220;West African Drumming and Dance in U.S. Universities: The Resurrection of a Suppressed Genre&#8221; and lead a workshop on &#8220;Observations on Ghana50 at Ole Miss in Oxford Mississippi.&#8221; Anicet Mundundu will chair a scholarly session titled &#8220;Melding Traditions: West Africa, USA, China, and Cuba<em>&#8221; </em>and give a paper titled &#8220;Diversity and Unity in African Music Performance Practice in the U.S.&#8221; Jason Squinobal will perform original compositions, including a song he composed for Dr. Euba, with his jazz group Horizon Band. Squinobal&#8217;s compositions feature intertwined ostinatos and polyrhythm, and many utilize West African traditional melodies. He will be joined for this performanc. by Ghanaian master drummer J. S. Kofi Gbolonyo (PhD 2009).</p>
]]></content:encoded>
			<wfw:commentRss>http://www.music.pitt.edu/blog/?feed=rss2&amp;p=690</wfw:commentRss>
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		<item>
		<title>Mark Peters (PhD 2003) to speak at Yale Conference</title>
		<link>http://www.music.pitt.edu/blog/?p=689</link>
		<comments>http://www.music.pitt.edu/blog/?p=689#comments</comments>
		<pubDate>Thu, 15 Oct 2009 19:55:23 +0000</pubDate>
		<dc:creator>Phil Thompson</dc:creator>
		
		<category><![CDATA[Alumni]]></category>

		<category><![CDATA[Musicology]]></category>

		<guid isPermaLink="false">http://www.music.pitt.edu/blog/?p=689</guid>
		<description><![CDATA[Mark Peters (PhD 2003) will give a paper at the conference Poets, Mothers, and Performers — Considering Women&#8217;s Impact on the Music of Johann Sebastian Bach. Peters&#8217; paper is titled &#8220;A Woman&#8217;s Poetry in Leipzig&#8217;s Churches: Mariane von Ziegler as Cantata Librettist.&#8221; The paper grows out of Peters&#8217; ongoing research on J. S. Bach&#8217;s sacred [...]]]></description>
			<content:encoded><![CDATA[<p>Mark Peters (PhD 2003) will give a paper at the <a href="http://www.yale.edu/ism/events/Women_and_Bach.html" target="_blank">conference</a> <strong>Poets, Mothers, and Performers — Considering Women&#8217;s Impact on the Music of Johann Sebastian Bach</strong>. Peters&#8217; paper is titled &#8220;A Woman&#8217;s Poetry in Leipzig&#8217;s Churches: Mariane von Ziegler as Cantata Librettist.&#8221; The paper grows out of Peters&#8217; ongoing research on J. S. Bach&#8217;s sacred cantatas to texts by Leipzig Poet Christiane Mariane von Ziegler, research he published in his monograph <em>A Woman&#8217;s Voice in Baroque Music: Mariane von Ziegler and J. S. Bach</em>. The conference, which takes place October 16-18, is chaired by Prof. Markus Rathey (Yale) and sponsored by the Yale Institute of Sacred Music in collaboration with the Music Department and the Program in Women&#8217;s, Gender, and Sexuality Studies at Yale.</p>
<p>Mark Peters is Associate professor of Music at Trinity Christian College (Palos Heights, IL) and Chair of the Department of Music. Mark has presented conference papers on Bach, Ziegler, and Johannes Brahms, and his publications include articles in <em>BACH: Journal of the Riemenschneider Bach Institute</em> and the monograph <em>&#8220;Claude Debussy As I Knew Him&#8221; and Other Writings of Arthur Hartmann</em> (University of Rochester Press, 2003), with Samuel Hsu and Sidney Grolnic. He serves as Secretary-Treasurer of the American Bach Society and is currently pursuing new research on the German Magnificat from Martin Luther to J. S. Bach.</p>
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